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Sandra Hahn grew up in East LA and in Whittier, artistically inclined from the start. She had challenges to navigate—including not speaking English when she first started school, needing glasses, and dealing with then-undiagnosed dyslexia. But she always drew, and won many art contests at school and at fairs. As she got a little older, Sandra became interested in photography, film, and murals through after-school programs. She also got into trouble a lot, and because her parents didn’t see or understand the vast opportunities in the field of arts for a young girl, they pushed her toward beauty college.
Jacqueline Pimentel was a shy kid from Covina, but at home, she loved to sing and perform. Her mom always nudged her towards their community’s musical theater scene—Jackie was a Lost Kid in Peter Pan first, and then appeared in Beauty and the Beast and Oliver! "I needed a creative outlet," she said. "My mom always encouraged me to get out of my shell." Jackie joined the chamber choir during high school, where she became a classically trained vocalist, grew to love music in various languages and genres, and had the opportunity to be a member in a successful ensemble that traveled to New York to sing at Carnegie Hall and Seattle for their annual Performing Arts Heritage Festival.
Constance Jolcuvar’s life is full of layers. She’s proud of her background—she’s a half-Hispanic and half-Greek first-generation California native with roots in both San Marino and Frogtown. She acknowledges the privilege in the life she has built, but she’s also often been on the receiving end of nasty, hurtful prejudice. “Most would never guess that to look at me,” she said, “so I’ve always been about striving for fairness and equal opportunity for all, and I’m a constant and strong supporter of public schools.”
Caroline Lerch grew up in New Orleans, where it’s said music is everywhere. It certainly was in Caroline’s house—her grandfather was a jazz musician and pianist who could be heard on the local radio every morning on the "Pinky Vidacovich and the Dawnbusters" show, and her mother, Haydée Lafaye Ellis, played guitar and upright bass in a band with a regular gig in the French Quarter. Haydée also painted and acted in local theater productions—all the while being a conventional PTA mom, married to a civil engineer.
Irina Contreras (pronouns: they/them) was 14 years old during the 1992 LA uprising, and Rodney King was beaten just down the street from where they grew up in Pacoima. The area was known amongst locals for the many police abuses it had historically endured. “I was young, but I definitely had feelings about it,” they said.
It was not surprising when Second District Supervisor Holly J. Mitchell nominated artist, writer, and community organizer Patrisse Cullors to the Arts Commission last year. They have known each other for more than a decade, back to when Mitchell was in the California State Assembly. “Holly Mitchell has been of service to my South Los Angeles community for a long time,” Patrisse said, “and I think she has seen me to be both a staunch advocate of criminal justice as well as the arts.”
As it continues to expand access to the arts for all residents, the Board of Supervisors today [unanimously] approved a motion by Supervisors Solis and Kuehl to adopt the LA County Cultural Policy Strategic Plan.
Phung Huynh is a Los Angeles-based artist and educator whose work explores cultural perception and representation. Known for exploring the complexities of Southeast Asian refugee communities through drawings that include the iconic pink donut box, Huynh applied her artistic practice and her own experience as a refugee and immigrant to her work with Office of Immigrant Affairs (OIA) on strategies to build trust and increase participation in LA County support services.
The Department of Arts and Culture (Arts and Culture) announced today $750,000 for 75 Community Impact Arts Grants (CIAG), one-year grants for arts programming at nonprofit social justice and social service organizations, and municipal departments throughout LA County.
Alexis Camins moved to the Bay Area from the Philippines when he was 9 years old. When a friend dragged him to audition for a musical in high school—42nd Street—his fate was sealed. "I just fell in love with theater. I fell in with being on stage, with being around friends that wanted to express themselves. I felt like I had met my people," he says.